Archive for perez

Liner Notes to The Concert: 12 Musings for Isabella

Posted in Composition, Improvisation, Performance with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 1, 2020 by pogo56

Dear listener,

Firstly, many thanks to you for your support of this project, a project that is near and dear to me.  I moved to Boston from North Carolina in 1997 to attend New England Conservatory to major in Jazz Trumpet Performance. At the time, the Thelonious Monk Institute was integrated with the Jazz Studies program at NEC.  They gave concerts on campus as well as off. One of those concerts took place at the Isabella Stewart Gardner Museum. I attended on the of the concerts there once and noticed that there were empty frames on display in the museum. I didn’t understand the meaning at the time, but fast forward 20 or so years, I came to find out about the heist and the ensuing investigations that have taken place via Last Seen, a podcast produced by a local public radio station and newspaper. After taking in the beauty of the works I decided to commission myself to write a piece inspired by each of those works.

The Songs:

Disc 1:

A Lady and Gentleman in Black (Rembrandt) – The lady and gentleman in this work are indeed dressed in all black, looking to me like they are ready for an evening in the town (or village)! The melody of my composition strictly uses the black notes on the piano. This was the first song I completed of this set of music and I intended it to be the funkiest, blues-infused piece on the recording!

Cortege aux Environs (Degas) – In this scene by Degas, we see a multi-layered, almost translucent, snapshot of a party of folks traveling along a path with an incline. They seem to be in conversation as they travel along, and it’s not clear which direction they are traveling in this painting. I took a personal approach to composing a song for this piece by connecting the color scheme employed by Degas with my experience living with synesthesia.

La Sortie de Pesage (Degas) – Degas portrayed a scene which looks to be from a horse race in this painting.  There are folks filing in line to either buy tickets or place bets and the rest are going to their seats. Amongst the crowd are two jockeys, assumingly making their way to the track. In assuming that this is what’s going on in the painting and also realizing that I could be totally wrong with all of those assumptions, I compelled myself to write a piece that would feature several series of deceptive harmonic cadences (within 3 main sections), a sing-songy vertical melody supported by a “gallopy”, sneaky rhythm in 6/4 time.

Christ in a Storm on the Lake of Galilee (Rembrandt) – This historical depiction by Rembrandt is epic and vivid in its’ visual capture of a tumultuous situation. In this work, I spotted 15 th individuals battling the storm on this lake, so I decided to compose a piece in 15/8 time. Kendrick sets up the rollicking, shuffle groove which introduces a rangy, turbulent theme, followed by intense trading of choruses by Mark, Joel, and me.

A French Imperial Eagle Finial – This song is the second song that was written for a piece in this set that was not a piece of visual art. Seeing this eagle finial for the first time immediately moved me to write and brisk piece with a flighty melody for the band.

Chez Tortoni (Manet) – The gaze within the gentleman’s eyes in this painting as he’s sitting at Café Tortoni in Paris is one of urgency and mystique. This gave me mixed emotions so I wrote a mixed-meter song where the harmonic landing spots were bandied between major and minor as a nod to the color scheme of the portrait.

Disc 2

Program for an Artistic Soiree (Degas)– This simple, elegant work by Degas appears to me like a sketch several ideas that happen to be a part of the same canvas. There’s an air of smokin’ song and dance in this sketch that I find to be quite sneaky for some odd reason. This work really makes me wonder what was going on inside the imagination of Degas. This drove me to write a danceable, “sleuthy” song for this piece, drawing from my 3rd stream influences. The solo sections of this song, which feature myself, Joel, and Edward, alternate between major and minor for the entire chorus.

An Ancient Chinese Gnu – This song was written for one of the two pieces of art that were stolen that actually was not a piece of visual art. This piece resembles a sort of vase with a porous base and a body that flares out exactly like the bell of a trumpet. I wanted to give this piece a song that primarily stuck in the folksy, pentatonic-ish, rangy, melody in the trumpet to give the song an Asian melodic bend.

The Concert (Vermeer) – In this visually stunning piece by Vermeer, you see a trio of musicians performing together and they appear to be deeply involved in the moment of the music. My goal for writing a song for this painting was to have it be the one of the more lyrical pieces of this set of music, in an attempt to capture the essence of what could have been heard during the occasion that was depicted in the work. When I was in the middle of finalizing the arrangement of this piece, I played it for my 5-year-old daughter and she found it to be interesting enough that she continued to ask me to play it again. I was impressed to later find out that she had committed parts of the song to memory.

Landscape with an Obelisk (Flinck) – There is something very serene, stoic, but at the same time very powerful about the view of the Landscape with an Obelisk by Flinck. There is a lone obelisk and what looks to be an ancient tree with a strong, gnarly trunk, each standing tall, perhaps in search of the sun on a cloudy day. At the foot of the tree there are two people, one on horseback and one standing. They seem to be in searching as well. I wrote a contrafact based on one of my favorite compositions entitled Like a Flower Seeking the Sun by reedman Myron Walden. Within this track, I bookended it with a flowy intro and outro with rubato, in an attempt to capture the quality of the water in the middle of the painting.

Self Portrait (Rembrandt) – I found a lot of beauty and symmetry in the Self Portrait by Rembrandt. He appears to have a perfectly round, strong jaw with piercing eyes and long, curly hair on set to one side. I composed a melody based on Miyako, one the most harmonically-symmetrical, gorgeous songs by one of my favorite composers, Wayne Shorter.

Three Mounted Jockeys (Degas) – This interesting work features a triple image of 3 jockeys mounted on a horse, 1 that’s right-side up, and 2 that are upside down. This song is in a brisk 6/4 tempo with the melody being split into 3-bar phrases (1 for each jockey).

I’d like to give a huge thank you to Jimmy and Dena Katz, along with all the folks at Giant Step Arts for helping me bring this project into fruition. Also hats off to Mark, Joel, Edward, and Kendrick for your supreme artistry, the people at the Intercontinental Barclay, Dave Darlington, Ann Braithwaite, and to my wonderful wife Colleen and daughter Camilla!

Jason Palmer Septet Live at the Jazz Gallery 2013

Posted in Performance with tags , , , , , , , , , , , , , , , , , , , , , , on February 9, 2013 by pogo56

All Original compositions featuring:
Mark Shim-Tenor Saxophone
Godwin Louis-Alto Saxophone
Mike Moreno-Guitar
Leo Genovese-Piano
Edward Perez-Bass
E.J. Strickland-Drums
Jason Palmer-Trumpet

Here Today Liners for all of you that purchase Digitally!!

Posted in jazz trumpet music, Musical Influences, Performance with tags , , , , , , , , , , , , , , , , on September 14, 2011 by pogo56

Thank you all for supporting this project and this label! I’m excited to present this project of mostly original material with this NY based band (with all the members having musical ties to Boston/Cambridge). It’s indeed an all-star cast and I don’t think I could have picked a better group for the tunes that I selected for the session. It was one of the smoothest sessions that I’ve ever been a part of music wise, but at the same time, it was one that I was extremely nervous about because we didn’t rehearse and I was worried that everyone on the session would not have had time to check out the music ahead of time. As it turned out, they played the tunes like they wrote them themselves. Every song was recorded in two takes and in most cases we kept the first one. I’m really thankful for that.

The Songs

Here Today, Gone Yesterday– This song was a part of a project that I presented in 2009 in NYC. The project, “Never Before, Never After”, was a concert featuring my original compositions with the intent of premiering them the night of the concert (Never Before) and never to play them again (Never After). To me, it was a lesson in detachment from my work. The band, however, convinced me that disposing of all the tunes wouldn’t be the best idea, so we agreed to choose one of the tunes and add it to our repertoire. This tune in 7/4 time was the lucky winner!

Abu Abed– This is the newest composition (composed in the summer of 2010) on the record. The song was inspired by a story that I heard on NPR’s This American Life about a man by the name of Abu Abed. I composed this piece in 5/8 time, but it’s much easier felt and played with 5/4 time in mind.

3rd Shift– I wrote this song for my mother. For over 20 years, my mom worked the 3rd Shift in the textile industry, so this tune is dedicated to her!

Takes Courage to be Happy– I wrote this song for Abbey Lincoln in 2006. I had the honor and the pleasure of first meeting Abbey after the first set of one of her performances in Boston at Sculler’s Jazz Club on Valentine’s Day (which happens to be my birthday) several years ago. In our conversation between sets, I remember her asking me if I had my trumpet with me and if I would like to sit in with the band. I didn’t have it with me but we exchanged information and decided to stay in touch because I had many questions for her about the music. I took me about a year to muster up the courage to call her but I did finally. In the course of this conversation, Abbey suddenly says to me, “You know Jason, it Takes Courage to be Happy!” A song was born.

Skylark/I Can’t Help It– This arrangement was a part of a project that I put together for a special performance in the winter of 2009 in Boston. For this project I celebrated the music of Johnny Mercer by arranging some of his classics and fusing them with my originals and other classic tunes in the jazz and pop canon. Me, like most people in mid to late 2009, were mourning the passing of Michael Jackson. In the fall of 2009 I started to rediscover the beauty of the songs that Michael wrote and performed. I then thought of the idea of adding I Can’t Help It (composed by Susaye Greene and Stevie Wonder) to the project I was putting together at the time.

3 Point Turn– I wrote this tune for Mark Turner in October of 2008 in a hotel room in Finland on tour. One of my favorite records is Mark Turner’s Dharma Days. There’s a nice tune in 5/4 time on the record entitled Jacky’s Place. 3 Point Turn is a variation of the B section of Jacky’s Place where I borrowed the pair of chords in the bridge of Jacky’s Place and added two more pairs, making 3!!

Capricorn-This is my reharmonization of a Wayne Shorter classic.

The Players

Mark Turner– Mark Turner is one of the most influential non-trumpeters on my approach to improvisation. I spent many hours in college absorbing Mark’s playing and composing style, delving into his records as a leader such as Dharma Days and Ballad Sessions as well as the records he made with guitarist Kurt Rosenwinkel (The Next Step, Enemies of Energy, and Heartcore). His collaboration with guitarist Kurt Rosenwinkel produced music that left an indelible earprint on my jazz generation. Mark possesses many of the attributes that John Coltrane exhibited, including the idea of becoming a selfless musician and playing for more of a lofty purpose. When I listen to Mark, the absence of the ego in his playing is pretty evident to me. This project represents the first time that I’ve played with Mark. I’m extremely lucky to have him on this record.


Nir Felder– Nir’s the kind of player that has the intrinsic gift of making the listener want to move one way or another when he plays. He’s one of the busiest guitarists on the scene in NY and that’s saying a lot, considering the bulk of guitarists on the scene. I initially met Nir when he was a student at Berklee College of Music in Boston. I had the occasional pleasure of having Nir in my band at Wally’s so I was able to witness his speedy pace of musical development firsthand. Upon finishing his studies at Berklee, he then moved back to NY to further his already bright career. We reconnected musically in 2009 during our residency at the JazzUV Festival in Veracruz, Mexico.


Edward Perez– Edward has enjoyed having one of the most diverse careers in music to this day. He’s played with many of the greats in jazz (Mark Murphy, Miguel Zenon, Kenny Werner, and Ari Hoenig) to the greats in Latin music (Julio “Chocolate” Algendones, Juan Medrano Cotito, Sergio Valdeos, and Andrés Prado). Born in Texas, Edward began playing music at a young age and by the age of 13 he was a member of the symphony orchestra in his hometown. He l attended the Interlochen Arts Academy in Michigan as a teenager and went on to study applied mathematics at Harvard University. It was during Edward’s time at Harvard that I was able to begin a musical relationship with him. We played many nights at Wally’s, the Wonderbar, and Ryles Jazz Club.


Kendrick Scott– Kendrick hails from a rich lineage of strong, young, gifted drummers/musicians from Houston Texas. Kendrick Allen Dewitt Scott, affectionately known as KADS, attended the Houston School for Performing and Visual Arts (HSPVA). This school has produced musicians such as Eric Harland, Chris Dave, Walter Smith III, Jason Moran, Robert Glasper, Mike Moreno, and Andre Hayward. We first started playing together in saxophonist Grant Langford’s band at The Goodlife in downtown Boston while Kendrick was studying music at Berklee. We later performed in the house band at the Wonderbar and Wally’s Jazz Café. Upon graduating from Berklee, Kendrick relocated to NYC and joined Terence Blanchard’s band, where he has been a mainstay ever since. Kendrick has a golden touch on the set and has strong ears behind a drum set as well as behind a studio soundboard. He is the founder of World Culture Music, a record label based in NY.

Thank you again for listening and I hope you enjoy! Until next time!

Swing it out!

Jason Palmer

Upcoming Performance Dates

Posted in Performance with tags , , , , , , , , , , , , , , , , , , , on December 5, 2010 by pogo56

Here’s a schedule of upcoming shows. Showtimes and dates are subject to change.

December 9 8pm Jason Palmer and the Public Option at the Jazz Gallery in NYC

December 10 9:30-1am Jason Palmer and the Public Option at Wally’s Jazz Café

December 11 8pm Jason Palmer w/Grace Kelly Center for the Arts Natick, MA

December 16 Afternoon Recording for SteepleChase (M.Turner, K. Scott, N. Felder, E Perez)

December 17 9:30-1am Jason Palmer and the Public Option at Wally’s Jazz Café

December 18 9:30-1am Jason Palmer and the Public Option at Wally’s Jazz Cafe

December 19 6-8pm Pressroom in Portsmouth New Hampshire

December 24 9:30-1am Jason Palmer and the Public Option at Wally’s Jazz Café

December 25 9:30-1am Jason Palmer and the Public Option at Wally’s Jazz Café

2011

January 7 9:30-1am Jason Palmer and the Public Option at Wally’s Jazz Cafe

January 8 noon APAP NYC w/Grace Kelly 5tet

January 14 9:30-1am Jason Palmer and the Public Option at Wally’s Jazz Café

January 15 9:30-1am Jason Palmer and the Public Option at Wally’s Jazz Café

January 21 9:30-1am Jason Palmer and the Public Option at Wally’s Jazz Café

January 22 9:30-1am Jason Palmer and the Public Option at Wally’s Jazz Café

January 25 7:30-11pm Jazz Standard w/GK 5tet

January 26 8-midnight Beehive with Michael Feinberg

January 28 9:30-1am Jason Palmer and the Public Option at Wally’s Jazz Café

January 29 9:30-1am Jason Palmer and the Public Option at Wally’s Jazz Cafe

February 3 TBA Jason Palmer w/GK 5tet L’Auditori Of Barcelona Spain

Feb 4 TBA Jason Palmer w/GK 5tet Bix Stuutgart, Germany

Feb TBA Jason Palmer w/GK 5tet The Black Note Club Valencia,

Feb 5 TBA Jason Palmer w/GK 5tet Sala Clamores Madrid, Spain

Feb 6 TBA Jason Palmer w/GK 5tet A-Trane Berlin, Germany

Feb 7 TBA Jason Palmer w/GK 5tet Jazzclub Hannover, Germany

Feb TBA Jason Palmer w/GK 5tet Domicile Pforzheim, Germany

Feb 14 TBA Jason Palmer w/GK 5tet Jazzclub RHeinfeld bei Basel, Germany

February 25 9:30-1am Jason Palmer and the Public Option at Wally’s Jazz Café

February 26 9:30-1am Jason Palmer and the Public Option at Wally’s Jazz Café

March 4 9:30-1am Jason Palmer and the Public Option at Wally’s Jazz Café

March 5 9:30-1am Jason Palmer and the Public Option at Wally’s Jazz Café

March 11 9:30-1am Jason Palmer and the Public Option at Wally’s Jazz Café

March 12 9:30-1am Jason Palmer and the Public Option at Wally’s Jazz Cafe

March 15 9pm Jason Palmer and the Public Option at Sculler’s Jazz Club

April 26 Time TBA Ramsgate w/Michael Janisch’s Paradigm Shift

April 27 Time TBA Birmingham at The Cross w/Michael Janisch Paradigm Shift

April 28 Time TBA Glasgow Scotland Arts Club w/Michael Janisch Paradigm Shift

April 29 Time TBA Edinburgh Scotland Jazz Bar w/Michael Janisch Paradigm Shift

April 30 Time TBA JJ Smyth’s Dublin Ireland w/Michael Janisch Paradigm Shift

May 1 Time TBA Derry Fest. Northern Ireland w/David Lyttle’s Project

May 4 Time TBA Pizza Express w/Michael Janisch Paradigm Shift London

May 5 Time TBA Pizza Express w/Michael Janisch Paradigm Shift London

May 6 Time TBA Live Theatre in Newcastle w/Michael Janisch Paradigm Shift

June 15 Time TBA Rochester Jazz Fest w/Grace Kelly 5tet

June 17th Time TBA East Lansing w/Grace Kelly 5tet

July 1-23 Time TBA European Tour w/Grace Kelly 5tet

August 11 Time TBA Martha’s Vineyard Jazz Fest w/Grace Kelly 5tet

November 5 8pm Ellen Theater Bozeman MT w/Grace Kelly 5tet

December 3 Time TBA Carnegie Hall (Zankel Hall) with Ambrose Akinmusire Big Band

Notes from the Road II

Posted in Improvisation, Performance with tags , , , , , , , , , , , on October 21, 2010 by pogo56

For the past 2 days I’ve been in the beautiful French city of Toulousse! There’s a wonderful jazz festival running here that’s been around for over 20 years I believe. We perform tomorrow night at a venue called Club New York at 10pm.

Tonight I got to hear Wayne Shorter’s wonderful quartet! The experience of the show was other-worldly!! That group really knows how to take you places in your mind if you are open to that kind of thing. Their collective cohesion was so strong to me tonight that at the end I realized that no one in the group stepped out of the song to play a full-fledged solo. They were all improvising in the truest form, on the same page, comping for each other. It was indeed a powerful performance and I feel so lucky to be alive in a time where I can be in a place to experience such greatness. Danilo’s sensitive directional counterpoint, Pattitucci’s solid bass playing, and Blade’s volcanic drumming laid the foundation for Wayne to soar to the waning moon!!

J.P.